I was extremely fortunate to assist the very talented Production Sound Mixer David Crozier on the film Madness of King George. Q: What was your first experience working on a feature film? I gained much experience there that would make the later transition into films relatively easy.
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I started working with him and his legendary boom operator Charlie McFadden on the TV show London’s Burning. In 1990 I was introduced to Trevor Carless who was a Drama Sound Mixer. At that time, around age 25, I felt that this was the path I wanted to pursue.
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I got to meet a lot of the documentary guys, a couple of them moved into drama, and one of them asked me if I’d like to join him as a Second AS, (Second Assistant Sound), on the period detective TV series Poirot - and so I did that. Mainly we shot on Betacam, we’d occasionally shoot on film and it was the film side that really captured me. I gravitated towards the sound department and started working as a sound assistant, I loved it. He was shooting documentaries, commercials and corporates. My ex father-in-law had a small film and lighting company and offered me a job as driver/camera assistant. There was some talk of following in my father’s footsteps, he was a pastry chef with a couple of shops in London, but in my late teens I thought ‘not for me’. As you can imagine this was a lengthy process but I thought it was worth the effort. I would place the microphone in front of the radio, press record and sneak out of the room trying not to make a sound, then sneak back in to pause until the next track played. I must have been keen as she was terrible! I then started recording the BBC Radio 1 top 40 in my bedroom.
My sister was learning to play the piano, so I recorded her playing. My parents bought me a Philips N2507 Stereo Cassette Recorder with a plug-in microphone. Do you think there were any influences in your childhood and teens that steered you towards a sound based career path?Īt Christmas 1976, I was 11 years old. Q: Aaton-Digital likes to look back at your career and how you started. A week later the world went into lockdown. We had just returned from shooting in Canada on Jurassic World Dominion, and we were in our first week of UK shooting when the producers announced that we were going into a week’s hiatus. Q: Starting with the Corona Virus situation, how were you affected?
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